Composition Rights
Rights connected to the underlying song, commonly involving songwriters, composers and publishers.
Explore Publishing →Rights administration
A release can involve composition rights, master rights and performance or related rights. Clear ownership and documentation help determine the right administration pathway.
Three practical categories
This overview is designed to help creators ask better questions. It is general information, not legal advice.
Rights connected to the underlying song, commonly involving songwriters, composers and publishers.
Explore Publishing →Rights connected to the specific sound recording, commonly controlled by an artist, record label or other master owner.
Explore Recording Distribution →Rights arising from public performance, broadcast and certain uses involving creators, performers and recording owners.
View South African Context ↓Why the distinction matters
A commercial use can involve separate approvals for the composition and the master recording. Indigenous Tunes will not describe a work as one-stop cleared unless both sides are controlled or appropriately authorised.
South African rights context
Memberships or relationships do not imply endorsement and do not guarantee royalties, registration, administration or licensing outcomes.
Associated with performing rights for composers, authors and publishers.
Associated with mechanical and digital rights administration.
Associated with related rights for recording artists and record labels.
Associated with the South African recorded-music industry and applicable recording-registration workflows.
A practical starting point
Keep contributor names, roles, ownership percentages, identifiers, agreements and rights restrictions organised. Clear records support publishing, licensing and rights-administration conversations.
Need help choosing a pathway?